Dog Mind

We enter directly onto the theatre stage, where a group of people with diverse cultural roots and artistic languages poses a central question: what is still unnamable today?

The project begins from a choreographic reading of *The Unnamable*, by Samuel Beckett, to explore the limits of freedom, the common, and language. The piece takes the form of a jam session, reducing narrative to the essential and building a flow made of bodies, images, words, encounters and events.

Throughout the creation process, questions arise about what a body can do, how a collective discourse is built, and how far the places of speech and contemplation reach. In the end, the experience returns to the audience the fragments of what it saw and felt, in a permanent tension between the said and the unsaid, between the visible and the invisible.